OK, we're biased - they formed via The Void and named their debut album after PS's first editor, Stephen Eastwood.

But there are moments here, such as the Countdown-sampling Vinyl Countdown or the happy hardcore of Sorry, when it's as if The KLF have reformed after all.

Full of their prankster spirit and stuffed with superior ambient grooves, it's impossible not to grin - except at a moving John Peel sample. 7/10